In Memoriam for string quartet & electronics (2017)

This piece was written in the memory of one of my favorite composers. It’s one of the very few pieces I’ve written in which I’ve chosen a strict method of twelve tone composition. The electronics here are experimenting with different synchronisation methods with the acoustic material. One of the main compositional questions was: does the relationship to the electronics change drastically if the material is in amorphous time compared to striated time? The piece is also based on a 12-tone cypher which is brought into many different iterations.

 

Supported by Norway’s Arts Council

 

Recording coming soon!

 

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